RX offers no less than two de-clicking modules: the regular De-click, which is good for random clicks like from a vinyl record, and Mouth De-click, which is especially tuned for removing mouth clicks-those little lipsmacks that can be particularly difficult to edit out. Depending on the vocal performer and the mic setup/position, this might take a little experimentation to find just the right sensitivity settings to minimize breaths without softening some consonants too much, but if you don’t try to completely eliminate the breaths, it can work very well-again, saving a lot of time that would be better applied to more creative aspects of a mix. The Breath Control module automates the process of removing breath sounds-or better, minimizing them without removing them entirely, for a more natural quality. Besides the usual filtered-sidechain method, De-ess includes an option that utilizes spectral shaping, for especially difficult or problematic situations. After a couple of simple settings, De-plosive does this automatically, saving lots of time over the course of an afflicted track.ĭe-ess addresses the equally familiar problem of harsh sibilants-“S”-sounds-but offers an extra twist over conventional dynamics processors.
IZOTOPE RX 6 AND REMOVING ROOM AMBIENCE MANUAL
Removing them by hand is easy enough, but it can involve some tedious manual editing, like cutting the Region at each offending pop and fading in over the plosives to tame them.
The De-plosive module automatically detects and eliminates plosives-also known as p-pops-the annoying bassy thumps that can occur on certain letters, like P and B.
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